The idea originates from my complex feelings when witnessing familial experiences of encountering birth, illness or death. These experiences make me feel like I am standing on the boundary between two opposite states of loss or gain. 

In my practice, I illustrate invisible complex emotions, thoughts, and psychological projections with visual language, and turn them into visible outer worlds where audiences could immerse in. I created tiny stories with drawings and texts as visual narrative, and introduced  structural, spatial visual language to its analysis.

Through my tiny stories, I wish to philosophically reflect and associate complex issues of life and death, which is a common theme that people of all backgrounds would encounter with in their lives, hoping that audiences would resonate with my expressions.

medium: pastel pencils, watercolour pencils and poster colour on paper

size: 297×210mm